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Cabaret Awards and Nominations. Winner Golden Globe: Best Motion Picture - Comedy or Musical: Best Actress in a Motion Picture - Comedy or Musical. 2020 Virtual MAC Awards! Related Pages See All. 613 Followers Nonprofit Organization. Theater Pizzazz. 1,150 Followers Entertainment. Below you can download free cabaret font. This font uploaded 26 September 2012. Cabaret font viewed 1245 times and downloaded 49 times. See preview cabaret font, write comments, or download cabaret font for free. This font available for Windows 7 and Mac OS in TrueType(.ttf) and OpenType(.otf) format.
Department of Theatre Production Programs
Title
Authors
Files
Description
March 4-7 and 11-14, 2004. Herbert and Nicole Wertheim Performing Arts Center, Mainstage Theatre. Book by Joe Masteroff. Based on the play by John Van Druten and stories by Christopher Isherwood. Music by John Kander. Lyrics by Fred Ebb. Directed by Phillip M. Church and Elsie Augenblick. Choreography by Ana L. Blanco. Scenic Design by Craig A. Young. Costume Design by Heather Rae Miller.
Publication Date
Spring 3-4-2004
Location
MMC Campus
Keywords
Department of Theatre
Disciplines
Theatre and Performance Studies
Recommended Citation
Department of Theatre, Florida International University, 'Cabaret' (2004). Department of Theatre Production Programs. 45.
https://digitalcommons.fiu.edu/theatre_programs/45
https://digitalcommons.fiu.edu/theatre_programs/45
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Syracuse University Honors Program Capstone Projects
Title
Author
Degree Type
Honors Capstone Project
Date of Submission
Spring 5-1-2011
Capstone Advisor
Rodney Hudson, Assistant Professor.
Honors Reader
Rebecca Karpoff, Instructor
Capstone Major
Music
Capstone College
Visual and Performing Arts
Audio/Visual Component
no
Capstone Prize Winner
no
Won Capstone Funding
no
Honors Categories
Creative
Subject Categories
Music | Music Performance | Other Music | Performance Studies | Theatre and Performance Studies
Abstract
For my Capstone project, I developed an original cabaret entitled “When You Got It, Bump It: A Lost Showgirl’s Cabaret.” The story follows Mazeppa, the lost showgirl, as she travels the vaudeville “circuit” in an attempt to regain her fame. I portray this leading character, while two other women portray her friends and co-stars. All three characters are based on perhaps some of the most famous showgirls on Broadway, Mazeppa, Tessie Tura and Electra of the 1959 musical, Gypsy.
I performed the cabaret twice, on the evenings of April 2nd and 3rd, at the First Unitarian Universalist Church on Waring Road in Syracuse, New York. The piece is comprised of approximately sixteen songs and is about forty minutes in length. The performances also featured the talents of two of my peers within the drama department.
In the development of this piece, I sought to showcase two of my greatest artistic strengths: my flair for vocal jazz and dancing. I worked closely with a wonderful pianist who helped me transform my ideas into reality. She created flawless musical transitions from one song to the next, constantly underscoring my character’s dialogue, which helped string together her story. I designed the cabaret within three acts. The first act introduces each of the three characters and highlights the awkwardness that Mazeppa faced in her youth. In the second act, Mazeppa falls in love and has her heart broken; and in the third act, she overcomes this sorrow. With this story, I strove to illuminate a message of embracing one’s true self, thus the title of the closing number and the name of the piece, “When You Got It, Bump It.” I sought to create a piece that would emphasize this concept through the character’s discovery amidst a deep emotional journey.
The significance of creating this work of art is one that will renew itself as I continue to maintain and improve upon it over the next several years. As an artist, the value of having a personal piece is priceless. A cabaret is an incredible tool to have at my disposal, especially as I prepare to move to New York City next spring. Not only did this project provide me with the opportunity to strengthen my performance technique, it also granted me the chance to act as a writer, director, and producer. Additionally, I gained valuable experience in collaboration, something that will have an even greater impact as experience in planning for large projects in any arena outside of theatre.
Recommended Citation
King, Mary Claire, 'When You Got It, Bump It: A Lost Showgirl’s Cabaret' (2011). Syracuse University Honors Program Capstone Projects. 221.
https://surface.syr.edu/honors_capstone/221
https://surface.syr.edu/honors_capstone/221
Poster Design Appendix.docx (25045 kB)
Poster Design
Song List Appendix.doc (25 kB)
Song List
Capstone Summary 3.doc (33 kB)
Poster Design
Song List Appendix.doc (25 kB)
Song List
Capstone Summary 3.doc (33 kB)
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.
Included in
Mac Os Catalina
Music Performance Commons, Other Music Commons, Performance Studies Commons
COinSTo view the content in your browser, please download Adobe Reader or, alternately,
you may Download the file to your hard drive.
you may Download the file to your hard drive.
NOTE: The latest versions of Adobe Reader do not support viewing PDF files within Firefox on Mac OS and if you are using a modern (Intel) Mac, there is no official plugin for viewing PDF files within the browser window.